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THANKSGIVING
Lancelot Andrewes (1555-1626) This week's poetic offering is taken from Lancelot Andrewes' well known book, The Preces Privatæ, which was described by the late 19th century liturgical scholar F.E. Brightman as "a collection of material to supply the needs, daily and occasional, of his [Lancelot Andrewes'] own devotional life, providing for the great departments of the life of the spirit--faith and hope and love, praise and thanksgiving, penitence and petition." It was, Brightman noted, compiled for Andrewes' own use and not published until some years after his death. This particular passage comes from that section of the book devoted to Thursday morning prayer. Last year's poem for the week of Thanksgiving was Psalm 100, which I strongly recommend again this year as part of your Thanksgiving Day blessing. You can, of course, find it in your Bible or, if you want a few of my thoughts on Thanksgiving Day and some historic background on the psalm itself, read my little essay on T.S. Eliot's great poem, "Journey of the Magi," (accessable from the POETRY index page) for some insights into Andrewes' influence on this famous and wonderful work. In any case, on Thanksgiving Day don't neglect this marvelous prayer by the great Bishop of Winchester. I think you can be assured that God will appreciate it too. Andrewes is best known as one of the most prominent members of the committee of scholars that produced the King James translation of the Bible. He is generally agreed to have been one of the most powerful preachers and learned theologians of his day. My favorite description of this remarkable human being, man of God, spiritual adviser to Kings and Queens, and warrior in the highly political religious battles of his time appears in a recently published book entitled God's Secretaries, The Making of the King James Bible, by Adam Nicolson. It goes as follows: "He is in many ways its [the translation project's] hero; as broad as the great Bible itself, scholarly, political, passionate, agonized, in love with the English language, endlessly investigating its possibilities, worldly, saintly, serene, sensuous, courageous, craven, if not corrupt then at least compromised, deeply engaged in pastoral care, generous, loving, in public bewitched by ceremony, in private troubled by persistent guilt and self -abasement."
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