TWO LOOK AT TWO
Robert Frost (1874-1963)

Robert Frost is special. Whenever I read a poem that I like by another poet, I always want to share it, which explains this poem-a-week thing. Whenever I read a poem that I like by Robert Frost, I always feel that I should keep it to myself. It isn't that I am selfish, it is just that I get the feeling that no one but I could really savor it the way it should be savored.

This is, of course, dumb. Frost is one of America's most beloved poets, the winner of four Pulitzer Prizes. His poetry is loved by millions of people worldwide. Nevertheless, his poetry always strikes me as something that should be enjoyed quietly and alone, even jealously.

As often happens with a poet I like, I had trouble choosing just one poem by Frost. But this didn't bother me this time because I know that others, much better versed in poetry than I, have also had this problem. Check out any good anthology of American poetry and I think you will find that few if any of the poets whose works are presented in the volume had as many of their poems included as Robert Frost. The compilers couldn't select just two or three of Frost's poems, much less just one.

The nice thing about Frost is that I didn't have to choose among those of his poems with which everyone is familiar, poems such as "Stopping By Woods On A Snowy Evening," "The Road Not Taken," "Mending Wall," "West-Running Brook," and "Birches." Frost wrote so many wonderful verses that I have many favorites that are not among those that are always included in the anthologies. Such a poem is "Two Look at Two." The other choice was "The Death of the Hired Man," a great favorite of mine. But it is too long for this format. Read it sometime if you have never read it. Or read it again if you haven't read it for a long time. But don't tell anyone. They probably wouldn't appreciate it the way you would.

          Two Look At Two

Love and forgetting might have carried them
A little further up the mountain side
With night so near, but not much further up.
They must have halted soon in any case
With thoughts of a path back, how rough it was
With rock and washout, and unsafe in darkness;
When they were halted by a tumbled wall
With barbed-wire binding. They stood facing this,
Spending what onward impulse they still had
In One last look the way they must not go,
On up the failing path, where, if a stone
Or earthslide moved at night, it moved itself;
No footstep moved it. 'This is all,' they sighed,
Good-night to woods.' But not so; there was more.
A doe from round a spruce stood looking at them
Across the wall, as near the wall as they.
She saw them in their field, they her in hers.
The difficulty of seeing what stood still,
Like some up-ended boulder split in two,
Was in her clouded eyes; they saw no fear there.
She seemed to think that two thus they were safe.
Then, as if they were something that, though strange,
She could not trouble her mind with too long,
She sighed and passed unscared along the wall.
'This, then, is all. What more is there to ask?'
But no, not yet. A snort to bid them wait.
A buck from round the spruce stood looking at them
Across the wall as near the wall as they.
This was an antlered buck of lusty nostril,
Not the same doe come back into her place.
He viewed them quizzically with jerks of head,
As if to ask, 'Why don't you make some motion?
Or give some sign of life? Because you can't.
I doubt if you're as living as you look.'
Thus till he had them almost feeling dared
To stretch a proffering hand -- and a spell-breaking.
Then he too passed unscared along the wall.
Two had seen two, whichever side you spoke from.
'This must be all.' It was all. Still they stood,
A great wave from it going over them,
As if the earth in one unlooked-for favour
Had made them certain earth returned their love.

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